{"id":7800,"date":"2022-02-17T16:44:08","date_gmt":"2022-02-17T14:44:08","guid":{"rendered":"https:\/\/fit.latitud46.com\/uncategorized\/fit-2018-talk-with-anestis-azas-gre\/"},"modified":"2023-05-09T18:12:02","modified_gmt":"2023-05-09T16:12:02","slug":"fit-2018-talk-with-anestis-azas-gre","status":"publish","type":"post","link":"https:\/\/fit.latitud46.com\/en\/fit-2018-talk-with-anestis-azas-gre\/","title":{"rendered":"Talk with ANESTIS AZAS (GRE)"},"content":{"rendered":"<h2><em>CLEAN CITY<\/em><\/h2>\n<h4>\nANESTIS AZAS &amp; PRODROMOS TSINIKORIS (GRE)<\/h4>\n<p>The word &#8221; cleaning &#8221; has, since Nazi times, a sinister connotation. The far-right party Golden Dawn wants to cleanse, to &#8220;purify&#8221; Greece of migrants and refugees. These expressions have taken on a new dimension with the crisis in Greece, which has resulted in strong pressure against the immigrant community.<br \/>\nGreek filmmakers Anestis Azas and Prodromos Tsinikoris reciprocate this rhetoric with the question, &#8220;Who does the cleaning in this country?&#8221; Their docu-theater gives voice to five women of different ages. Cleaners from various generations of migrants tell in <em>Clean City<\/em> about a country where social contradictions collide daily and what solidarity is in times of crisis.<br \/>\nThey are migrants from South Africa, Bulgaria, Russia, the Philippines and Albania who arrived in Greece to try their luck as cleaners. With humor and nerve they describe what it means to clean up Greece.<br \/>\n&#8220;Tsinikoris and Azas collect with dedication, over time, the life stories of five women, and compress everything into a great show, presenting a text about globalization, the concept of home, desire and family, the disappearance of the middle class that still nurtures so many dreams in Europe.&#8221; (S\u00fcddeutsche Zeitung). <em>Clean City<\/em> is an example of political theater that is widely believed to be dead. This show is proof that the theater, the stage, remains the best &#8220;forum&#8221; for which everything can be thought of and invented with wit and vitality.<\/p>\n<p>\n<em>CLEAN CITY<\/em> with Mabel Matchidiso Mosana, Rositsa Pandalieva, Fredalyn Resurreccion, Drita Shehi, Valentina Ursache<br \/>\nresearch, text &amp; direction Anestis Azas, Prodromos Tsinikoris<br \/>\ndramaturgy Margarita Tsomou<br \/>\nset design &amp; costumes Eleni Stroulia, Zaira Falirea (Assistenz)<br \/>\nlighting design Eliza Alexandropoulou<br \/>\nmusic Panagiotis Manouilidis<br \/>\nvideos Nikos Pastras<br \/>\nassistant directors Ioanna Valsamidou, Liana Taousiani<br \/>\nproduction director Vasilis Chrysanthopoulos<br \/>\nvideos Nelly Kambouri<br \/>\npuppets Yiannis Katranitsas<br \/>\nmake up Eveline Boeckx<br \/>\nsopratitoli Patrizia Poretti (traduzione), Prodromos Tsinikoris (operatore)<br \/>\ncoproduced Onassis Cultural Centre Athen, Goethe-Institut (Europoly-Projekt) in cooperazione con M\u00fcnchner Kammerspielen, Onassis Cultural Centre Athen, Sirenos \u2013 Vilnius International Theatre Festival, Teatro Maria Matos Lissabon e Tiger Dublin Fringe<br \/>\ntour support Onassis Cultural Centre Athen<br \/>\ncollaboration in the production Onassis Cultural Center Athen e Mladi levi Festival Ljubljana<\/p>\n<p>\n<strong>SUN 07.10.2018 | 20.30<\/strong><br \/>\n<strong>PALCO SALA TEATRO LAC \u2013 LUGANO<\/p>\n<p>22.00\u00a0<\/strong>After-show meeting with the audience<strong><br \/>\nmoderator <\/strong>Francesca Serrazanetti<strong><br \/>\ntranslation <\/strong>Carina Kaiser<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CLEAN CITY ANESTIS AZAS &amp; PRODROMOS TSINIKORIS (GRE) The word &#8221; cleaning &#8221; has, since Nazi times, a sinister connotation. The far-right party Golden Dawn wants to cleanse, to &#8220;purify&#8221; Greece of migrants and refugees. These expressions have taken on a new dimension with the crisis in Greece, which has resulted in strong pressure against [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":14616,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[97],"tags":[109],"postdisplay":[],"class_list":["post-7800","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video-en","tag-2018-en"],"_links":{"self":[{"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/posts\/7800","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/comments?post=7800"}],"version-history":[{"count":0,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/posts\/7800\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/media\/14616"}],"wp:attachment":[{"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/media?parent=7800"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/categories?post=7800"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/tags?post=7800"},{"taxonomy":"postdisplay","embeddable":true,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/postdisplay?post=7800"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}