{"id":14705,"date":"2021-05-09T14:45:51","date_gmt":"2021-05-09T12:45:51","guid":{"rendered":"https:\/\/fit.latitud46.com\/?p=14705"},"modified":"2023-05-09T14:50:04","modified_gmt":"2023-05-09T12:50:04","slug":"talk-with-manuela-infante-cl","status":"publish","type":"post","link":"https:\/\/fit.latitud46.com\/en\/talk-with-manuela-infante-cl\/","title":{"rendered":"TALK with MANUELA INFANTE (CL)"},"content":{"rendered":"<h2><em>C\u00d3MO CONVERTIRSE EN PIEDRA<\/em><\/h2>\n<h4>\nMANUELA INFANTE (CL)<\/h4>\n<p>\nFurthering the speculative exploration begun several years ago, in the works\u00a0<em>Realism<\/em>\u00a0and\u00a0<em>Estado Vegetal<\/em>\u00a0(at FIT in 2017),\u00a0<em>C\u00f3mo convertirse en piedra<\/em> furthers the task of envisioning a non-anthropocentric, non-humanist theater. This is, to counter the modern notion of human- ness as the measure of all things. The concept of \u201cthe human\u201d has served to sustain and justify significant exploitations and exclusions. Not only towards nonhumans, but also towards hu- mans considered less than human. A non-human theater is a critical endeavor, but also a speculative practice with other forms of organization, other forms of politics, by means of which we try to enact a kind of decolonization of the theatrical practices from human centered and human modeled thinking.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>SAT 08.10.2022 | 20.30<\/strong><br \/>\n<strong>PALCO TEATRO LAC \u2013 LUGANO<\/p>\n<p>21.45 <\/strong>After-show meeting with the audience<br \/>\n<strong>moderator<\/strong> Simon Valdwogel<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><em><strong>C\u00d3MO CONVERTIRSE EN PIEDRA<\/strong><br \/>\n<\/em><strong>director and playwright<\/strong>\u00a0Manuela Infante<br \/>\n<strong>cast\u00a0<\/strong>Marcela Salinas, Aliocha de la Sotta, Rodrigo Pe\u0301rez<br \/>\n<strong>design<\/strong>\u00a0Rocio Herna\u0301ndez<br \/>\n<strong>visuals<\/strong>\u00a0Pablo Mois<br \/>\n<strong>production<\/strong>\u00a0Carmina Infante, Sergio Gilabert<br \/>\n<strong>sound design<\/strong>\u00a0Manuela Infante<br \/>\n<strong>light-sound programming and visuals<\/strong>\u00a0Alex Waghorn<br \/>\n<strong>coreography<\/strong>\u00a0Diana Carvajal<br \/>\n<strong>music collaborators\u00a0<\/strong>Valentina Villarroel, Marcos Meza<br \/>\n<strong>with music by<\/strong>\u00a0Eliane Radigue, Pauline Oliveros, Kali Malone, Senyawa y BeverlyGlenn-Copeland<br \/>\n<strong>sound technician<\/strong>\u00a0Diego Betancourt<br \/>\n<strong>sound techincal design<\/strong>\u00a0Gonzalo Rodriguez<br \/>\n<strong>technical manager<\/strong>\u00a0Julio Escobar<br \/>\n<strong>research and dramaturg<\/strong>\u00a0Camila Valladares<br \/>\n<strong>co-production<\/strong> Centro Cultural Matucana 100, Fundacio\u0301n Teatro a Mil, NAVE and Parque Cultural de Valparai\u0301so, Kyoto Experiment Festival<\/p>\n","protected":false},"excerpt":{"rendered":"<p>C\u00d3MO CONVERTIRSE EN PIEDRA MANUELA INFANTE (CL) Furthering the speculative exploration begun several years ago, in the works\u00a0Realism\u00a0and\u00a0Estado Vegetal\u00a0(at FIT in 2017),\u00a0C\u00f3mo convertirse en piedra furthers the task of envisioning a non-anthropocentric, non-humanist theater. This is, to counter the modern notion of human- ness as the measure of all things. The concept of \u201cthe human\u201d [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":14707,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[97],"tags":[118],"postdisplay":[],"class_list":["post-14705","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video-en","tag-2022-en"],"_links":{"self":[{"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/posts\/14705","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/comments?post=14705"}],"version-history":[{"count":0,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/posts\/14705\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/media\/14707"}],"wp:attachment":[{"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/media?parent=14705"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/categories?post=14705"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/tags?post=14705"},{"taxonomy":"postdisplay","embeddable":true,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/postdisplay?post=14705"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}