{"id":14679,"date":"2021-05-09T13:41:36","date_gmt":"2021-05-09T11:41:36","guid":{"rendered":"https:\/\/fit.latitud46.com\/?p=14679"},"modified":"2023-05-09T13:46:07","modified_gmt":"2023-05-09T11:46:07","slug":"talk-con-alexandra-bachzetsis-ch","status":"publish","type":"post","link":"https:\/\/fit.latitud46.com\/en\/talk-con-alexandra-bachzetsis-ch\/","title":{"rendered":"TALK with ALEXANDRA BACHZETSIS (CH)"},"content":{"rendered":"<h2><em>CHASING A GHOST<\/em><\/h2>\n<h4>\nALEXANDRA BACHZETSIS (CH)<\/h4>\n<p>&nbsp;<\/p>\n<p>Alexandra Bachzetsis draws from histories of art, music, cinema, popular culture and fashion, and projects them onto the body. Through this method of citation, The artist considers how our bodies are used and can be activated in today\u2019s increasingly polarizing discussions around identity and body politics.<\/p>\n<p>In her newly commissioned work\u00a0<em>Chasing a Ghost<\/em>,\u00a0which premieres at the Art Institute of Chicago, Bachzetsis continuously creates a double\u2014a double body, a double sound, a double space, a double image. Challenging the choreographic archetype of the duet, the performance stages these doubles within a spectrum of violence and desire. Central to this duality, a double in of itself, is the notion of the uncanny: an estranging phenomenon in a seemingly ordinary context, but also the potential act of transgression as our repressed impulses and subconsciousness may at any time rupture into our experience of reality.<\/p>\n<p><em>Chasing a Ghost<\/em><em>\u00a0<\/em>encompasses a choreography for five dancers (including the artist herself), an original music score played live by two pianists, and a stage setting that shifts between live movement and moving image. As such, Bachzetsis transforms the duet into an unsettling picture, the movement between two bodies a distressing and unexpected occurrence, a perpetual\u00a0<em>folie-\u00e0-deux<\/em><em>\u00a0<\/em>that challenges how we look at ourselves and others.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>WED 28.09.2022 | 20.30<\/strong><br \/>\n<strong>PALCO TEATRO LAC \u2013 LUGANO<\/p>\n<p><\/strong><strong>22.00\u00a0<\/strong>After-show meeting with the audience,<strong><br \/>\n<\/strong><strong>moderator<\/strong> Francesca Benini MASI Museum Curator<br \/>\n<strong>introduction<\/strong> Tobia Bezzola, MASI Museum Director and Carmelo Rifici, LAC Theatre Artistic Director<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><em><strong>CHASING A GHOST<\/strong><br \/>\n<\/em><strong>concept and choreography<\/strong>\u00a0Alexandra Bachzetsis<br \/>\n<strong>collaboration concept and stage<\/strong>\u00a0Sotiris Vasiliou\u00a0<br \/>\n<strong>creation and performance<\/strong>\u00a0Alexandra Bachzetsis, Johanna Willig-Rosenstein, Owen Ridley-DeMonick, Gabriel Schenker, Sotiris Vasiliou\u00a0<br \/>\n<strong>music arrangement and performance<\/strong>Simon Bucher and Mischa\u00a0Cheung<br \/>\n<strong>sound concept<\/strong>\u00a0Lies Vanborm\u00a0<br \/>\n<strong>commissioning curator<\/strong>\u00a0Hendrik Folkerts\u00a0<br \/>\n<strong>dramaturgy<\/strong>\u00a0Dorota Sajewska<br \/>\n<strong>costume design\/fashion<\/strong>L\u00e9a Dickely and Hung La \/ Kwaidan Editions\u00a0<br \/>\n<strong>costume design conceptual advice and research<\/strong>\u00a0Christian Hersche\u00a0<br \/>\n<strong>costume design\/styling<\/strong>\u00a0Priska Morger and Eva Buehler<br \/>\n<strong>communication design<\/strong>\u00a0Julia Born\u00a0<br \/>\n<strong>photography<\/strong>\u00a0Mathilde Agius , Andreas Warren Matti, Fabienne Watzke<br \/>\n<strong>hair and make up shooting<\/strong>\u00a0\u00a0Stephanie Kunz<br \/>\n<strong>technical direction\/light design<\/strong>Patrik Rimann<br \/>\n<strong>sound engineering<\/strong>\u00a0Jonas H\u00e4ni<br \/>\n<strong>technical support tour<\/strong>\u00a0Matyas Bokor<br \/>\n<strong>management<\/strong>\u00a0Anna Geering<br \/>\n<strong>production\u00a0<\/strong>Association All Exclusive, Anna Geering, Daphni Antoniou<br \/>\n<strong>tour management<\/strong>\u00a0Daphni Antoniou<br \/>\n<strong>commissioned by\u00a0<\/strong>The Art Institute of Chicago<br \/>\n<strong>supported by<\/strong>\u00a0Ciit\u00e0 di Zurigo, cantone Zurigo, Pro Helvetia\u2014Swiss Arts Council, Ernst und Olga Gubler-Habl\u00fctzel Stiftung, Stanley Thomas Johnson Foundation,\u00a0Migros-Kulturprozent, Sophie und Karl Binding Stiftung<br \/>\n<strong>co-produced by<\/strong>\u00a0Art Gallery of Ontario; Mudam Luxembourg; PACT Zollverein, Essen; Tanzquartier Wien; Bundeskunsthalle Bonn; Julidans, Amsterdam; Gessnerallee Z\u00fcrich.\u00a0<br \/>\n<strong>this performance is a co-production<\/strong>\u00a0Fondo Programmatori RESO, Rete svizzera della danza<br \/>\n<strong>con il supporto di<\/strong>\u00a0Pro Helvetia\u2014Swiss Arts Council<br \/>\n<strong>in-kind sponsorship<\/strong>\u00a0Yamaha Pianos, provided by Yamaha Artist Services, New York; Kwaidan Editions, London<br \/>\n<strong>additional thanks to<\/strong>\u00a0Cynthia Leung, Edward Traskowski, Paul B. Preciado, Adam Szymczyk, Verena Bachzetsis, Jannis Tsingaris, Andr\u00e9 Desponds, Aphroditi Antoniou, Raphael Hefti, and Li Tavor<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CHASING A GHOST ALEXANDRA BACHZETSIS (CH) &nbsp; Alexandra Bachzetsis draws from histories of art, music, cinema, popular culture and fashion, and projects them onto the body. Through this method of citation, The artist considers how our bodies are used and can be activated in today\u2019s increasingly polarizing discussions around identity and body politics. In her [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":14683,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[97],"tags":[118],"postdisplay":[],"class_list":["post-14679","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video-en","tag-2022-en"],"_links":{"self":[{"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/posts\/14679","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/comments?post=14679"}],"version-history":[{"count":0,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/posts\/14679\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/media\/14683"}],"wp:attachment":[{"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/media?parent=14679"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/categories?post=14679"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/tags?post=14679"},{"taxonomy":"postdisplay","embeddable":true,"href":"https:\/\/fit.latitud46.com\/en\/wp-json\/wp\/v2\/postdisplay?post=14679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}